by sampleandhold » Fri Sep 12, 2003 5:13 pm
well, from what i have read, it is suppose to take the common parts of the two different sources, and keep those and get rid of all the frequencies that are not in common. so basically if you play two different samples, like a pad and drums, and they are different lenghts, you get some, what seems to be, random wave length, and you can kind of hear the drums in the pad, usually followed by a loud snap at the end. realy it doesn't seem two work well at all. and if you try doing it with anything over 5 seconds, you might as well leave it on and go to work, by the time you get home it should be done. okay, i am exageratng there, but it take forever for it to process.
in my manual, it says it is possible to make a guitar "talk". but with the way it acts, i doubt you are going to get anything quite like peter frampton.
it would be cool if it worked better and faster. but it doesn't so i really haven't used it at all. and i think alot of people don't use it either.
"{jU$t-n3Rv0U$-N-+h3-@Ll3y-W@y}"